Paid D&D Writing

The Puritan: Creativity and D&D
For ‘The Town Crier’ section, The Puritan magazine is looking for pieces on the theme of Dungeons & Dragons, its influence on personal creativity, art, and pop culture. They will publish a mix of personal essays, critiques, and creative explorations. Some topics to consider are:
– How D&D has influenced your creativity, shaped your writing, or affected your life around the table
-D&D’s appearances in TV shows, movies, and books, and how its representation has changed over time
-Why the RPG has had such a noticeable resurgence in popular culture
-The ways that D&D has influenced authors and artists
-How the game can be a safe space for collaborative storytelling
-The intimacy of creating and playing campaign characters
-The role of Dungeon Master as a creator/referee/gatekeeper
The Puritan magazine also publishes work year-round – interviews, essays, reviews, fiction, and poetry.
Deadline: 15 October 2019
Length: About 1,000 words
Pay: CAD25 for the D&D feature; CAD25/poem, CAD100/review or interview, CAD150/fiction, and CAD200/essay for the print magazine

Fudgers Anonymous

Wouldn't it be nice if DM's and Players alike could go to a local place on Tuesday nights to get help for their addiction to fudging die rolls? It seems to me that it is an addiction. I have made every protestation against fudging dice and yet I find that I am regularly tempted. Rolling publicly, (so that everyone could see your dice) does help, but you could always lie about your plusses. "Yes, I rolled a 5, but I am plus 13, so I hit." Lying and cheating are one in the same and are too easy. We need help. I need help. Let's open a forum and decide on a proper 12 steps. Admit first, that you have a problem.

Treat It Like It's Great

"Finally, brethren, whatever things are true, whatever things are noble, whatever things are just, whatever things are pure, whatever things are lovely, whatever things are of good report, if there is any virtue and if there is anything praiseworthy — meditate on these things. The things which you learned and received and heard and saw in me, these do..." - The Apostle Paul

The point is, Dungeons & Dragons is worth it. It is the greatest game in the world by far and on par with only the best group social activities that are available. Imagine that, what you do around that table on campaign day is as good as anything else. Go to the movies with friends? I'd rather play D&D. Go to the bar and watch the ball game? I'd rather play D&D. Go bowling? Go picnic? Stay home and party? Just give me the game! It is great.
Just because D&D is great in itself doesn't mean that there isn't notable responsibility attached to it. If it isn't great in your experience, then make it great. Reliable content is out there if you need help. It is worth the work, and we all have to do it. A football player only works for a couple of months during the season. But in the off-season, he still works. He has to keep his body in shape. He has to see to any injuries he has. He has to stay up on technology and what's going on in his sport. As a DM in this noble, great and fun activity, you've got to make it great, if it isn't.
The hurdle, I suggest, is that most of the D&D stuff out there from decades of production, is fluff, harmful, and unnecessary to a healthy campaign. That is true for the majority of the advice as well. Therefore, it is important to have a very good idea of what your game is or will be. Be as idealistic as you can be. Do not settle for vague notions of "I just want the game to be fun." The football player does not say that, without knowing all that goes into it. He may very well have experienced greatness, and greatness is fun.
D&D is great and it is worthy. Do the work.

Let's Make Fun of Geeks

I have had a couple of players who openly discuss their lack of lives. If you commit to play D&D then you obviously have no life. Surely there is some other life that you should be living. If your life was better, then you wouldn't have to condone to play D&D every week.

I know these players never really think about what they are saying. These are good people. They do good things. I enjoy their company. In fact, when my best friend says "I have no life" when he considers playing in an additional game, I think that he is joking. He is making fun of what used to be the external, stereotypical point of view of geeks.

It is only now that I am calling these players out. If they truly think that playing D&D is an unworthy commitment or worse, then they cannot think much of people who happily commit to playing. Furthermore, it speaks of someone who has low self-respect, as in, "Yes, I play this game and therefore I have no life." Respect yourself, dammit.

This is only one instance of several where such thoughtless, disrespectful words have been spoken at my table. It's not funny anymore.

Occult Book List

Back when I was a Call of Cthulhu player, I took it pretty seriously. I also had a ton of time to waste. For that game, I compiled a list of occult books seen throughout history. I also listed a few books whose actual, original existence is not certain. This list only goes up to 1930, I believe, as I only wanted books that might be available in my 1920's game. Feel free to use this information:

5 Years Ago Today - had issues.

I had my book reviewed by twelve of my beloved beta-readers yesterday. My friends and I sat in a room together and discussed the likes and dislikes in my 354 pages. The heavy, three-hour session tore at my book, and my mind. This, plus four hours of D&D, left me exhausted and a bit twitchy. But the review was so good. One of the major issues brought up, one that plagued my book, was the series of detached scenes. My characters would go someplace, endure a hardship, survive it, and be healed of it. Then they would go on to repeat the cycle, again and again. Different places, different hardships, but in the end of each, the characters would reset, be like they were at the start. What about the emotional or physical consequences for the serious difficulties they endured? Lacking. This is where the influence of D&D has tainted my story. It is a common theme in D&D to have the party of characters go out and kill some evil monsters, take their stuff, then go back to town to heal up and sell the stuff. That’s the scene that regularly gets replayed in the game. It seems that role-playing out any lasting emotional scar is undesirable for players. As healing-up leaves no physical damage at all to a character’s body, all of the stains of past battles can be forgotten. Everything resets, except, perhaps, that the party is slightly improved. In my book, the difficulties get worse and worse, and the party rarely wins, but they have no negative consequence. Their desire seems to be to simply do the right thing. Where is the desperation? Where is the ticking time-bomb? I must work on solutions to this in my book, and, dare I say it, in my game. Another major problem found was the confused, or the lack of, genre. The story is a Dark-Medieval-Fantasy-Romance with touches of eroticism. Where is that section in your local bookstore? Now I understand that I can have aspects of all of these in my story and call it Fantasy, or Romance, but I have gone to lengths to focus on each aspect separate from the over-all story. They should blend together. A ten page section detailing a sex scene should not stand alone from the prior, twelve page battle scene, or the six page dialog about magic that comes after. I’ve got to get away from the short-story mentality that I have held on to. I do not want a collection of short stories. I am used to receiving ten page critiques. People love my action and my characters, ten pages at a time. The whole story at once, however, gave people negative feelings about my characters, some things just didn’t add up. My characters say and do some pretty cool things, besides just fall in love. However, they have few goals and/or fears. They want to fight evil but what about personal, tangible goals? These are not apparent in any of my characters. This seems an easier fix but a desperately needed one. The fact is that my book was not destroyed by the review. The story is sound. It needs a major tweaking, but not a re-write. Nothing that needs to be fixed is fatal to the rest. I am gloriously happy about that.

A Note for New Players

More things to consider: We meet every Saturday, and I want a commitment of at least 40 of 52 Sats a year. There will be misses, obviously, but if more than 2 Sats a month is not likely to work out, then mine is not the game for you. We generally meet 5 to 10 PM.
2nd. We communicate via a Facebook message board, a single platform where logistical, real-life issues can be dealt with (For example, my friend was hosting at his house, his oven broke down so we had to find another way to cook pre-game pizzas.)
3rd. We have been playing consistently since 2012, mostly in this one campaign world of mine. Just know that there are not a lot of restarts or focused, modular expeditions.
Finally, (as in I can't think of what else to say) I have a packet of rule changes and additional material, stuff you may or may not like. I can email it to you if you wish, although it is due to be re-written. So, there you go. We have room for one player. You can see some of my philosophy on my blog. Oh, one more thing, no boos please.

Metal Dice Sale

I am selling several sets of metal RPG dice on EBAY. You can really knock some things down with these suckers.

2 Types Of Players

Another fleeting idea of mine: I have players who want to press the limits when it comes to character creation. One wanted to have a neat, special and by all means different ability for their character. He wanted something that set his character apart from what the others could have. Along the same lines, another player created a story-line in her head and wanted a D&D character that could fit that story-line. She wanted a Half-Ogre, and continually pressed me to explore the limits in making one. Weather or not I should have granted these desires is beyond the point.

The other type of player is the one who just wants to know the rules regarding character creation. They tend to favor exactly what the book says, and can even feel stress when the DM is Interpreting things. They tend to create characters within established boundaries. They are no less creative, mind you, but they have a different starting point.

So, to what point should the DM interfere?